In a summer where Future and Fetty Wap dominate hip-hop, this 22-year-old is a reminder of America’s shortcomings. Earl doesn’t know or care if you are in the room, which is part of his appeal; Vince Staples’ eyes are boring right into you. This album sounds terrible. Be prepared to go down a dark summer tale! He has some up beat bangers on the album to go with the more soulful and thoughtful tracks, all executed perfectly. Former Kanye mentor No I.D., DJ Dahi, and Clams Casino handle production on the album, but they work together with Staples so that the seams between the different dreams, hallucinations, memories, and nightmares don’t show. Our prayers have been answered. Album Rating: 4.5"fellow Odd Future alum Earl Sweatshirt" But I really don't like the production on this thing. His attention to detail purposefully drains the adrenaline out of the scenario and leaves a quotidian focus on the smallest facts of the situation—"Four deep, five seats, three guns," he observes on "Get Paid", and this is almost all you get. It took a few spins to fully appreciate it, at first I was expecting it to sound like Stolen Youth. Album Rating: 4.0This is seriously good, Vince bringing it back. i dig the beats on this but i can't stand his voice, i need to check this out Clams Casino blacked out when he made the beat to "Surf" featuring Kilo Kish. At moments on Vince Staples’ Summertime ’06, that breath seems like a desperate gasp, like the Long Beach MC just spit up something dark and oily. - Critic Reviews http://www.sputnikmusic.com/forums/image.php?u=304979&dateline=1435856303 Album Rating: 4.0gave this a run through the other day and yea its great. Album Rating: 4.0Vince doesn't even strike me as someone who cares about hooks, hooks help but they're not essential. His delivery is still sneering and steady with a slight sway that suggests he's stoned, but like pop gangstas Chief Keef or Future , he can craft a memorable melody out of chopped-up nonsense. (Photo by Kathleen Caulderwood/NYV/Voice Media Group via Getty Images). It's not overtly enjoyable to experience because this is a reality that does not call for glamour. Follow him @ADiaz456. Our editorial content is not influenced by any commissions we receive. 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These are the 30 highest-scoring hip hop albums released since 2000. Summertime '06 is a step into Vince Staples' world, making you feel like you're in North Long Beach right with him. On the bridge, he teams with Snoh Aalegra to cry out for the woman he’s broken up about. "My teachers told us we were slaves/ My momma told me we was kings/ I don’t know who to listen to/ I guess we somewhere in between/ My feelings told me love is real/ But feelings here can get you killed." If the cover art of Summertime '06, the first proper album from the Long Beach rapper Vince Staples, looks familiar to you, that's not an accident. Like Chance the Rapper drained of hope, Staples expresses complex ideas in plain, hard sentences, ones that can be handed to you like a pamphlet: "No matter what we grow into, we never gon' escape our past," he states simply on "Like It Is". © 2020 METACRITIC, A RED VENTURES COMPANY. On Summertime '06, he turns an album produced largely by himself, DJ Dahi, and Clams Casino into one tense, seething organism, making it difficult to isolate which songs these wildly different musicians worked on. 24 Album Rating: 4.5He was never part of Odd Future so you might wana change that. "Jump Off the Roof" featuring Snoh Aalegra and "Señorita" also have a "radio" feel, but unlike the two tracks I mentioned, these work. Summertime '06's coming of age tale is complemented perfectly by production that finds the nuance in Staples' stories and matches it, couching Staples' rhymes in a way that the streets can understand best. That blurring of reality hits home hardest on “Jump Off the Roof”, near the end of the first half of the nearly 60-minute double album. Some other highlights are "Get Paid" in which Desi Mo hits her feature opportunity out of the park, and "Hang N' Bang" in which Staples and his fellow Cutthroat Boy A$ton Matthews (who has the best rap voice in the game) do what they do best: rap about that Cali gang-banging life. based on What’s been remarkable to watch is the way Staples has leaned forward—bigger songs, bigger statements, greater urgency–as Earl bled into the cracks in the walls of his mind. Staples's flow is tragic. and "Like It Is." Staples is aware of his growing reputation in rap and the power he might wield. And he drops gems like only he knows how: "How you rich but your bitch in an old Ford?/How you black sellin' crack for the white man?/How you real, wouldn't kill for your right hand?/On the stand sworn in with ya right hand". His rapping is conversational, but these are the conversations you have when all optimism has been burned away. Once he learns to make crossover hits, it's going to be quiet for a lot of cats out here. Summertime '06 is breathtakingly focused, a marathon that feels like a sprint. Amazing lyrics and also alot of solid beats by Clams Casino and others. He followed that string of features with solo mixtapes filled with dark humor and unrelenting honesty, further proving his prowess behind the mic. The Best Hip-Hop Albums of the 21st Century, Free (& Subscription) Games for All Platforms: New & Upcoming, November Preview: 19 TV Shows & New Movies to Watch at Home, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by, Bitch you thirsty, please grab a Sprite His rapping is conversational, but these are the conversations you have when all optimism has been burned away. It is just there, like the sun the song’s characters stare at to know their freedom. The chill-inducing “Might Be Wrong” pairs a phone call from Haneef Talib, presumably in prison (“Hands up, don’t shoot — shot,” he seethes before the call gets interrupted by a block inspection), with a mourning chorus lingering at the edge of right and wrong, life and death. rest of the review looks solid tho. that first sentence throws me off, i don't see what's hyperbolic about TPAB being a big album in terms of racial awareness and uprising. Expert Reviews for the Newest Albums in Rock, Alternative, Hip-Hop, EDM, and More . I'm usually more into more organic production anyway (think "Undun" or "How I got over" or and I hate to bring it up on the first page "TPAB"). Music Reviews: Summertime '06 by Vince Staples released in 2015 via Blacksmith, Artium, Def Jam. @veldin no I.D. The album debuted at number 39 on the US Billboard 200, selling 13,000 album-equivalent units in its first week. Staples has so much to say in Summertime '06 that it’d be impossible to fully dissect in one listen, and his ingenious phrasing makes for a constantly amusing variety of vignettes. The voices you hear on the album that don’t belong to Staples—the voicemail on "Might Be Wrong", hooks whispered by art-rapper Kilo Kish—feel like echoes or ghosts. Summertime '06 is extremely cohesive, but occasionally tiptoes on being monotonous. He's only 21. 22K Views 54 2. The basslines are often played by a groaning distorted electric guitar, and songs like "Dopeman" have the crackling alkaline energy of a Neptunes production. But double albums are usually unwieldy, and Summertime '06 is breathtakingly focused, a marathon that feels like a sprint. All this publication's reviews Album Rating: 2.5Yeah I wouldn't say it's bad, it's just not my cup of tea. Album Rating: 4.0I seriously love every song on this (albeit maybe not Street Punks). The tracks like "Loca" and "Lemme Know" are ambitious with their breakdowns and hooks, but they don't seem to have enough legs to be radio hits. Being signed to a major label like Def Jam almost forces an artist to reach for radio spins. The first half of the album suffers from this. Découvrez des commentaires utiles de client et des classements de commentaires pour Summertime 06 [Import Allemand] sur Amazon.fr. There is one true moment of tenderness on the album. ("Jump Off the Roof"), "In the Planned Parenthood playing God with your mom's check/ You ain’t even been to prom yet" ("Surf"). Vince Staples produces a masterpiece for his debut album.
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